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Works

Works

The Listening Canvas

The Listening Canvas is an interactive sound installation that invites audiences to... View "The Listening Canvas"

Virtual Galaxy Simulation

A chamber work with video and electronics for Proxima Centauri and Pascal Rousseau that... View "Virtual Galaxy Simulation"

The Agent

for flute and wearable live electronics device. The agent examines a choreographic... View "The Agent"

Landslide

for Line Upon Line percussion trio. This works explores sound-making gestures performed... View "Landslide"

Dessus-dessous

Solo work for prepared violin and video addressing the violin as an... View "Dessus-dessous"

Brève Anti-histoire des Sons Trouvés

Brief Anti-history of Found Sounds An interactive sound installation that invites audiences... View "Brève Anti-histoire des Sons Trouvés"

A Performing Monkey Game

An open-form work for string trio that explores structuring stochastic music as... View "A Performing Monkey Game"

Film Performance

A multimedial opera exploring the intrinsic physicality of musical performance and the... View "Film Performance"

Sounding Shakespeare

Repertoire Curator and Stage director of Sounding Shakespeare with Puzzle Piece Opera... View "Sounding Shakespeare"

Petra-Icor

for solo flute and live electronics. The Greek words Petra and Icor... View "Petra-Icor"

Voices

Concert-Installation for flute and Chinese ink paintings iterating fragments of Voice by... View "Voices"

Artistic statement

My compositional work creatively explores technologies, such as live and fixed electronics and video, as well as the boundaries between art forms, namely new music theatre, vocal music, contemporary opera, live film, and sound installation. I challenge established views of reality and share my critical perspectives by way of creating an artistically appealing environment that audiences are invited to experience in their own way. I engage with embodied musical gestures and revealing listening experiences. I intend to foster creativity by designing music scores that facilitate embodied, situated, and diverse performances. Theatre is at the core of my creative practice, the starting point of each new work varying from physical actions to social matters. I believe that critically exploring sound is key to unravelling old meanings and creating new ones in the visual elements that integrate an interdisciplinary work. As a performer, I am classically trained in flute and saxophone and focus on New music repertoire by recent and living composers and on deep-rooted music from Argentina and Latin America.